• My art shifts in style, exploring colour, light, atmosphere, and sitter-specific expression.

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My art shifts in style, exploring colour, light, atmosphere, and my sitter’s expression.

I was born in Edinburgh in 1970, and these days I split my time living and working in London and Oxfordshire. I studied Fine Art at the Slade School in London, where I earned my BA (Hons). Over the years, I’ve been lucky enough to have my work included in some of the UK’s national collections, from The National Portrait Gallery in London to the Scottish National Portrait Gallery in Edinburgh, as well as the UK Parliament and the Bank of England.

One of the most incredible experiences of my career was being commissioned in 2006 to travel to Afghanistan as a war artist – something that challenged me deeply and taught me a lot. Along the way, I’ve been honoured with awards like the BP Portrait Award and recognition from the Royal Society of Portrait Painters. Painting and exploring new ideas have been a profoundly rewarding journey.

 FAQs

  • Stage 1: Informal Meeting

    The process begins with an informal consultation to discuss, please note each sitter and their circumstances are unique, so this is a very rough guide!! :

    1. The type of image desired

    2. Where the portrait will be displayed

    3. Who the portrait is of and its purpose

    4. Size requirements

    5. Background importance

    6. Desired level of formality
      Meeting the sitter during this stage is highly beneficial as it allows the me to begin understanding their personality. Ideally, this might include a casual lunch to establish rapport, which facilitates easier photography sessions and helps inform both the design and execution of the painting.

    Stage 2: Various Photo tests First Sitting (approx 1 hour)

    After getting acquainted with the sitter and their expectations, I might develop ideas for photographic approaches and location. During this session:

    1. Various compositional options are explored

    2. Technical photography issues are identified

    3. Different approaches to the image are considered
      If the sitter is unavailable, a stand-in may be used to work on composition and lighting elements.

    Stage 3: Photo Review

    Following the first sitting, the I evaluate the photographs taken, withe the sitter, looking for potential improvements in:

    1. Lighting

    2. Color

    3. Composition
      This analysis informs the approach for the final photo shoot.

    Stage 4: Final Photo Shoot (1 hour)

    With a clear vision established and discussed with the sitter, I :

    1. Address any technical photographic issues

    2. Takes numerous photographs (potentially hundreds)

    3. Aim to capture the perfect reference image for the painting, if I don't get it I may need to repeat this session.

    Stage 5: Painting Process

    I create a shortlist of the optimal photographs, consulting with the client for approval. The painting process then begins, with consideration given to the appropriate artistic treatment:

    1. Some sitters are better portrayed with bold, textural marks

    2. Others may require a different approach

    3. I explore various techniques to find what best represents the individual

    4. The painting gradually comes together through this exploratory process

    Stage 6: Completion and Approval

    Once the painting is finished:

    1. The client visits the studio to view the completed work

    2. Any necessary amendments are discussed

    3. Final approval and sign-off are obtained

    Additional Information

    Availability

    1. I can begin the design and photography process when availability permits and the commission is confirmed in writing

    2. Actual painting typically begins after completion of current projects

    3. All timing is discussed and agreed upon in advance

    4. Completion time varies depending on portrait size, potentially taking several months

    Framing

    Framing is not included in the commission price, though the I'm happy to provide advice.